Kawasaki Z1-R: Into the R Zone

By Robert Smith
Published on October 7, 2009
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The paint and linear design were distinctive features of the first Kawasaki Z1-R bikes, which otherwise performed and handled much like their predecessor the Z1.
The paint and linear design were distinctive features of the first Kawasaki Z1-R bikes, which otherwise performed and handled much like their predecessor the Z1.
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The Kawasaki Z1-R nameplate.
The Kawasaki Z1-R nameplate.
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The Kawasaki Z1-R cockpit had a speedometer, tachometer, ammeter, and fuel gague.
The Kawasaki Z1-R cockpit had a speedometer, tachometer, ammeter, and fuel gague.
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The Kawasaki Z1-R used a 4-into-2 exhaust system.
The Kawasaki Z1-R used a 4-into-2 exhaust system.
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Kawasaki used the ice-blue metallic paint only for the 1978 model year. There was no 1979 model, and the reintroduced 1980 model was available only in black.
Kawasaki used the ice-blue metallic paint only for the 1978 model year. There was no 1979 model, and the reintroduced 1980 model was available only in black.
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The Z1-R’s twin-cam engine is the same as the original Z1 from 1972, just bored out from 903cc to 1,016cc.
The Z1-R’s twin-cam engine is the same as the original Z1 from 1972, just bored out from 903cc to 1,016cc.
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The Z1-R’s brake reservoir hides behind the fairing.
The Z1-R’s brake reservoir hides behind the fairing.
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New school: The Z1-R was heavily influenced by 1970s European styling trends.
New school: The Z1-R was heavily influenced by 1970s European styling trends.

Kawasaki Z1-R
Years produced:
 1978 and 1980
Claimed power: 90hp @ 8,000rpm
Top speed: 132mph (period test)
Engine type: 1,016cc air-cooled DOHC inline four
Weight (dry): 245kg (541lb) (563lb w/half full tank)
Price then: $3,695
Price now: $2,000-$5,000
MPG: 45 (avg.)

The 1970s produced the most dramatic transformation the motorcycle industry has seen before or since. The Kawasaki Z1-R proves the point.

In 1969, all street bikes were standards. Fairings were for race bikes. Twins dominated the big bike market. And “big” meant either a 650cc British bike or an overweight, underpowered 1,200cc V-twin from Milwaukee. Bikes leaked oil and were started with a kick; most small bikes were smoky 2-strokes and many needed pre-mix; wheels were wired, brakes were drums; and the “ton” (100mph) was a magic figure, often approached but rarely bettered.

A decade later, four Japanese manufacturers had a stranglehold on the industry, and their internecine competition (which to the public looked like sheer exuberance) had given the world fast, powerful motorcycles with three, four and even six cylinders, alloy wheels and triple disc brakes. They made close to 100hp/liter, and were capable of more than 130mph. You could park them in your living room without staining the carpet, and a simple push of a button spun the engine to smooth, purring life. The Superbike era was well and truly upon us.

But within a few short years, those easily jaded motorcycle journalists, instead of being astonished by these engineering marvels, casually grouped all Japanese bikes together with the prosaic abbreviation “UJM,” for Universal Japanese Motorcycle.

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