Built to Last: The Haas Moto Museum

By Corey Levenson
Published on August 8, 2025
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by Corey Levenson
The new museum has enough space to display all the bikes in the collection in a single large, well-organized room.

In the heart of Texas, just north of downtown Dallas, a revival is blending art and craftsmanship with a passion for motorcycles. The Haas Moto Museum & Sculpture Gallery, named after the late Bobby Haas, is once again one of the top motorcycle museums in the country, after a period of uncertainty. If you’ve not heard of or visited the museum, it can be described as a place for lovers of mechanical art, but it also serves as a reminder that it’s never too late to fall in love with motorcycles.

Bobby Haas didn’t grow up working on bikes or racing them around the neighborhood. In fact, motorcycles weren’t even on his radar for most of his life. Haas was a Harvard-trained lawyer and a powerhouse in the high-stakes world of Wall Street during the 1980s, where he made his fortune through leveraged buyouts. But, that life ultimately left Haas unfulfilled. At age 47, Bobby shifted away from finance and picked up a camera for the first time. He found a strong interest in wildlife photography, and his work was featured in National Geographic and several coffee table books, earning him recognition in the field.

In his early 60s, Haas discovered motorcycles, first through the purchase of a utilitarian Ural sidecar rig in 2014, followed by a 1962 Matchless G3L he bought on eBay. That marked what would become an all-consuming passion.

Stacey Mayfield partnered with Bobby in 2016 as museum co-founder & director and, over the next few years, Bobby and Stacey began acquiring motorcycles with a collector’s eye — but not for performance or brand prestige — the interest was always about the beauty. Lines. Shape. Story. The motorcycles were seen as sculptures as much as machines. The collection grew from a handful of bikes to over 200 motorcycles, which were originally displayed across two locations in Dallas’s Design District. They treated the bikes as both artifacts and art.

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